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Table of Contents

• Summary
• Table of Contents
• List of Figures

• 1. Introduction
• 2. The Guild Chapel
  • 2.1 Stratford-upon-Avon and the Guild of the Holy Cross
  • 2.2 The buildings of the Guild of the Holy Cross
  • 2.3 The Holy Cross Guild Chapel
  • 2.4 The restoration of the Guild Chapel in 1804, 1928 and 1955-62
• 3. Creating the Digital Model
  • 3.1 Creating the 'virtual' model
  • 3.2 Digital heritage debates
  • 3.3 The Guild Chapel digital models and its significance
• 4. Stratford-upon-Avon Guild Chapel digital model and the wall paintings
  • 4.1 The significance, patronage and sources for the Stratford scheme
  • 4.2 The Chancel: the Legend of the Cross
  • 4.3 The Chancel: the bishop and crucifix and the dragons over the Vicar's door
  • 4.4 The Chancel: the Five Wounds and the Eucharist
  • 4.5 The Chancel arch: the Doom or Last Judgement
  • 4.6 The nave north wall: the Dance of Death
  • 4.7 The nave south wall: the Lyfe of Adam
  • 4.8 The nave: the Saints
  • 4.9 The nave west wall: St Thomas à Becket
  • 4.10 The nave west wall: 'Erthe Upon erthe' poem and allegorical painting
  • 4.11 The nave west wall: St George and the Dragon
  • 4.12 The nave west wall: Pride or 'The Whore of Babylon'
  • 4.13 The heraldry of the Guild Chapel
• 5. Antiquarian Recording
  • 5.1 Sixteenth-century antiquarians
    • 5.1.1 John Leland
    • 5.1.2 John Stow
  • 5.2 Nineteenth-century antiquarians
    • 5.2.1 Robert Bell Wheler
    • 5.2.2 Thomas Fisher
    • 5.2.3 Colonel James Saunders and David Gee
    • 5.2.4 John Gough Nichols
  • 5.3 Twentieth-century antiquarians
    • 5.3.1 E.W. Tristram
    • 5.3.2 Wilfrid Puddephat
• 6. Conclusion
• Acknowledgements
• Bibliography

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