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Analog to Digital: Transitions in Theory and Practice in Archaeological Photography at Çatalhöyük
Colleen Morgan
Table of Contents
Summary
Table of Contents
List of Figures
1.
Introduction
2.
Brief Contextualisation of Analog Photography in Archaeology
3.
Digital Photography in Archaeology: Rupture or Continuation?
4.
Photographic Practice at Çatalhöyük
5.
Results
6.
Conclusions
Acknowledgements
Bibliography